PRESS

FERRY "Sadhonker" ADAMS | BEAR WITH ME: EPISODE 1
 "The completely original soundtrack complements every scene in the game and really 
  helps to enhance that ‘noir’ feel. It’s pleasantly minimalistic and exceptionally 
  cool at the same time."
BARCINICE | GAME IT ALL - BEAR WITH ME
 "Having an original soundtrack as helped me a great deal to immerse myself within the game. 
 placing myself in Ted E. bear’s Shoes. You can Hear the rain through the walls, ringing on 
 top of what sounds like a metal roof. Little attention to details like different doors 
 having dissimilar sounds when opening."
AG REPORTER | ARABIAN GAZETTE:
 "The visual creativity and brilliant sound design of this video will keep your eyes glued to 
 the video from start to finish. In fact, the sound design compliments the images in perfect 
 harmony."
ROB WHITWORTH |'OFF TRACK PLANET' MAGAZIN:
 "For a long time I've wanted to create a soundscape rather than a song. So to use sounds, 
 and sound effects, to link the two. The complication of this is the actual sounds of a city 
 have no relevance when sped up, so you have to be pretty creative to find sounds that fit. 
 Working with a sound guy, Slava Pogorelsky, was a great change for the Barcelona video. 
 I love all the little details in the sounds and how it really brings the different rooms 
 and spaces to life."
CHRIS WALLACE | HANDS ON: THE HIVE
 "The sounds are really well done as well including the fighting sounds, unit noises when 
 they are attacking or being attacked and also when construction is under way or completed. 
 Soundtrack is awesome. I am incredibly impressed with the world around you, it feels really 
 alive and when coupled with the great voice acting and sound effects it makes for an 
 incredibly beautiful experience."
SEAN MARKLEY | TSUME – SHORT FILM OF THE WEEK
 "Like virtually any good piece of horror, Tsume does not neglect the audial side of things. 
 The combination of sinister, but not overbearing, music and well crafted sound design 
 amalgamate with the film’s visual elements to create an all ’round perturbing experience 
 for the viewer that is effective at unsettling multiple senses at the same time."
GOOD MEN PROJECT | BARCELONA LIKE YOU’VE NEVER SEEN IT
 "Awesome sound design and music by Slava Pogorelsky."
ROB WHITWORTH | TIME LAPSE NETWORK
 "One of the most exciting ingredients for me was working with Slava Pogorelsky on the 
  soundscape. Working with a sound artist is something I’ve wanted to do for along time. 
  Rather than have one song bring the events in the video to life with content specific sounds. 
  I’m really pleased with the outcome."
STAGG | EARLY ACCESS REVIEW: THE HIVE 
 "Soundtrack in this game is good. Music is beautiful."
PATRICIA RAMOS | EXPOSURE GUIDE
 "Barcelona Go! is accompanied by the animated audio background work of Slava Pogorelsky, 
  completing the total hyperlapse experience."
DIYP INTERVIEW | FLOW MOTION MASTER ROB WHITWORTH
 "Slava Pogorelsky helped bring the soundscape to life which was quite a job with lots of 
  competing ingredients."
ROB WHITWORTH | IMAGING RESOURCE
 "I'd also like to say the sound is something I'm very proud of. Slava Pogorelsky did an 
  amazing job," he tells us. "Really brings it to life and uses the sound to enhance the 
  visuals."
BIENNIAL EDITION OF STIGMART VIDEOFOCUS FEATURES "SILENT MISERY" BY SLAVA POGORELSKY: