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The sound of the future is bursting with energy.
 
This sound library presents carefully crafted high-tech sound effects that vary from pleasant and musical to unpredicted and glitchy designs.
 
Great for futuristic user interface, virtual reality hacking and memory extraction, corrupted alien technology and evil cyber-intelligence, AI powered weaponry, scanning objects in a digital world and high-tech cybernetic settings.
 
  • This sound library is included in the Complete Bundle.
  • Complete Bundle Upgrade: If you already purchased a copy of this sound library or any other library via my website or another sfx store and would like to upgrade to the Complete Bundle, please contact me at: support@slavapogorelsky.com for a special offer!
  • Multi-User License is availble, please contact me at: support@slavapogorelsky.com

Sci-Fi Elements Vol.1: Futuristic Technology and UI

$45.00Price

SOUND LIBRARY PREVIEW

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TRUSTED BY THESE AMAZING PARTNERS

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SPECIAL HIGHLIGHT FOR INCREDIBLE STUDIOS THAT LICENSED 'COMPLETE BUNDLE' FOR THE ENTIRE AUDIO TEAM

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Bjørn Jacobsen

AAA Sound Designer

CyberPunk 2077, HITMAN, DARQ

"One of my favorite library producers continues to deliver and feeds my creative space with 'Steampunk Vintage Machinery and Mechanisms'."

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"Slava has for several years made high quality sound effects for me to play with, 'Horror Series Vol.1: Evil Strings Tortured Wires' is no exception. I use his sound libraries across multiple projects as lego blocks of my creations."

Victor Mercader

AAA Sound Designer

Apex Legends

"I find myself continuously using Slava's SFX libraries to blend it's pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine. The Sci-fi Elements sound library is the perfect library to use and blend into my UI designs in Apex Legends."

Philip Eriksson

Audio Director

Split Fiction, It Takes Two, Battlefield V, Star Wars: Battlefront I & II

"Slava has some pretty kick ass sound libraries!"

John Sawa, MPSE

AAA Sound Designer

Dead Space Remake, Marvel's Midnight Suns, Call of Duty: Modern Warfare III

"I’ve had the pleasure of working with Slava Pogorelsky’s libraries over the last year. I’ve found these collections of recorded and designed sounds incredibly useful on a variety of projects. His sounds are interesting, versatile, evocative, full of textures and nuances. These are building blocks for a huge variety of applications in audio design and editorial for literal source material and abstract design elements. From expertly recorded source material to fully designed and arranged elements these sounds are always interesting, always useful, and I’m enjoying finding new ways to use them in my Cinematic Sound Design work all the time!"

WHAT SOUND PROFESSIONALS SAY

Shane Tetro

Sound Designer

Remnant II

"Slava's libraries feature high-quality, adaptable recordings and designs. There is plenty to dig through in every pack, making each library extremely dynamic for various applications. Their exceptional textures have significantly enhanced my workflow; consider me a fan!"

Stefan Kovatchev

Audio Director

MultiVersus

"Slava has put together an impressive collection of high quality source assets, recorded cleanly, and at high sample rates. It’s always refreshing to find a new purveyor of good source material. I particularly enjoyed Resonating Metal Force, which is comprised of very useable, unique tonal textures and impacts."

Yarron Katz

AAA Composer and Sound Designer

"Slava makes some wonderful libraries. He's relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you're not getting another whoosh library - you're getting something very unique, very fresh. He brings some wonderful ideas to the table."

Samuel Gagnon-Thibodeau
Sound Designer/Sound Effects Editor

Dream Scenario, The Watchers, Hunting Daze

"Slava’s Cinematic Wood Symphony detailed textures and movements blend so well in what I’m usually looking for in terms of sound design. It really brings proximity and sensitivity to the action while feeling real and natural. The creative blend of the wooden sounds with whooshes and impacts also makes them very unique. I’m finding myself coming back to them more and more as they fit in many situations."

Ginno Legaspi

SoundBytes Music Magazine‎

"Evil Strings Tortured Wires’ is an all-scary affair with plenty of really good, nightmarish, imaginative sounds from authentic materials, like double bass, dulcimer strings and metal wires. Sound-wise, this sample pack is clean and carefully recorded. The editing and processing of sounds is top notch, with sound design techniques applied very professionally. Overall, very gritty and not for the faint of heart."

Ginno Legaspi

SoundBytes Music Magazine‎

"Slava is back with another aggressive and energetic sample library called Resonating Metal Force – a 680 strong collection of modern metal effects captured using various tools and high-end studio equipment. The source material was edited and processed professionally for instant use. These sounds are primed for experimentation – whether you add your unique processing, layer several WAV samples or slice and dice to your heart’s content, the sky’s the limit. This sound pack is another winner."

Ginno Legaspi

SoundBytes Music Magazine‎

"In the Sci-fi Elements sound library each sound was carefully designed and captured using various high end tools and studio instruments. To be able to come up with these sounds one must layer and heavily process the raw files. Slava did just that. The sounds are static, yet bursting with energy. You won’t be disappointed, especially if you create music for trailers, game, TV, films and commercials."

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Enos Desjardins

Sound Designer/Sound Effects Editor

Mission: Impossible – Dead Reckoning, Black Mirror

"Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways."

Ginno Legaspi

SoundBytes Music Magazine‎

"The spotlight of 'Cinematic Wood Symphony' is the wide range of complex sounds that can be dropped in your sound design projects. I love the Wood Movement and Tonal sounds, and I’m sure thriller and horror music composers will be delighted with the Friction and Impact sounds. If your cinematic projects are lacking texture and impact sounds 'Cinematic Wood Symphony' is a library to be considered - especially if you’re looking beyond common wood sounds."

Ginno Legaspi

SoundBytes Music Magazine‎

"Sound-wise, the quality of 'Cinematic Metal Whooshes' is clear and punchy, and very consistent from start to finish. The whole content promises to be a tool to get you going in your cinematic adventures - and it delivers."

Ginno Legaspi

SoundBytes Music Magazine‎

"As far as the sound goes 'Cinematic Magical Ice' is both beautiful and mystical. I happen to like the icy textures that are oozing with coldness. Overall, this sound library boasts a good variety of effect samples ready to drop in various cinematic projects."

Ginno Legaspi

SoundBytes Music Magazine‎

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"Cinematic Water Whooshes and Textures' is great for anything. You won’t be hearing recordings of calm rivers or relaxing streams, but cinematic whooshes and textures for soundtrack works and media projects. Whether you’re into this type of sounds, this pack was recorded quite well, professionally edited and processed with Slava’s own flair."

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